Featuring an impressive 16-stop dynamic range, internal recording onto a high-speed ASX card, internal recording formats up to ProRes 4K 4444 and 422, and an interchangeable sensor with updated usability and body design, the 8K Sony VENICE 2 Digital Motion Picture Camera is a step up for DPs, camera assistants, colorists, VR, and VFX departments thanks to its high-resolution capture and filmlike imagery.
Take advantage of the wide dynamic range of the camera to shoot in the extremes of exposure from candlelight to bright sunshine. The camera, with its dual native ISO ranges, allows you to push the boundaries of your creative lighting choices.
The VENICE 2 with an 8.6K sensor features a dual-range ISO setting with 800 and 3200 base settings while sharing the same color science as the original 6K sensor.
The new 8.6K sensor improves on the original sensor, providing more flexibility in the image for post-production work while still intercutting well with the 6K sensor. The 6K sensor block (not included) can be swapped into the VENICE 2 in the field, avoiding a trip to a service facility. This can be useful for capturing higher frame rates than you can with the 8.6K sensor.
Please note that though you can use the 6K sensor from the original VENICE in a VENICE 2, you cannot put the 8.6K VENICE 2 sensor into the original VENICE camera. Swapping sensor blocks is not a permanent change, as you can swap back and forth. No software or firmware changes are required when swapping sensors, as the camera recognizes the different sensor blocks and automatically adjusts. The sensor supports oversampling from 8.6 to 4K, or you can window in the camera to output 4K.
The VENICE 2 comes with the industry-standard PL lens mount. It is compatible with all Super35 and full-frame PL lenses, spherical and anamorphic. The removable lens mount includes contacts that support Cooke /i Technology. The camera’s lens information is recorded as metadata frame by frame. Removing the PL Mount exposes the camera’s E-Mount, which allows compatibility with E-Mount lenses. This E-Mount is designed with a lever lock that eliminates the need to rotate your lens when mounting, and the lever lock secures the lens in the mount, minimizing play. Rotating of the locking collar means that in most cases, lens support rigs don’t need to be removed, which saves time during production. A planned firmware update is required to take full advantage of the E-Mount.
The servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis offers a massive ND range from Clear (no ND) and 0.3 (1/2 = 1 stop) to 2.4 (1/256 = 8 stops)
The servo control also greatly increases VENICE’s flexibility when being controlled remotely on drones, cranes, or in an underwater housing. Although the optional Rialto 2 allows you to separate the sensor block from the camera body by up to 39′ for placing the sensor and your lens in places too small for the camera body, the camera’s smaller size, compared to the original VENICE, makes it easier to rig in drones, where the Rialto 2 would not be appropriate to use.
Free yourself from an external recorder for raw and high-data-rate recording, as the VENICE 2 is capable of recording directly to AXS cards internally. Featuring two AXS card slots, you can capture X-OCN and 4K ProRes (both 17:9 and 16:9) internally and use relay recording for virtually unlimited recording time. Additionally, the VENICE 2 supports cache recording and has twice the cache memory as the original VENICE camera.
Kit Contents:
☐ Sony Venice 2 8k & DVF EL200 Viewfinder
☐ Halkwoods V-Loc Power Distro
☐ Wooden Camera power strip
☐ Bright Tangerine Camera cage & Dovetail plate
☐ 3 x 1TB s66 Cards
☐ 1 x AXS Thunderbolt 3 Card reader
☐ Vocas LPL Adapter
☐ Vocas PL Adapter
☐ Metabones e-mount to EF
☐ 4 X IDX 150WH V-LOK Batteries