Designed for a broad range of applications, the d:dicate™ 4017 Shotgun Mic is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast / ENG / film booming and even studio recording environments.
d:dicate™ 4017ES Shotgun Microphone
With our tiniest preamplifier design, the d:dicate™ 4017E Shotgun Microphone features an integrated cable solution with either side (4017ES) or rear (4017ER) cable entry. It is the shortest professional interference tube shotgun mic available today; only 12.5 cm (4.9 in) in length and 121 g (4.3 oz) in weight (including 3 m (9.8 ft) cable and connector). It is ideal for booming actors or capturing distant voice dialogue for broadcast and video situations.
The mic is immune to RF emission and the 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping.
The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere.
A bit about supercardioids
A supercardioid microphone is similar to a cardioid – it is most sensitive to sound coming in at the front and is least sensitive at the back. Supercardioid mics tend to have a much narrower angle of sensitivity (and hypercardioids even narrower) – making them even more focused than a “normal” cardioid mic. The off-axis sound will normally be more or less colored and damped – and, due to the narrow angle of focus, the area of damped sound is increased significantly. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.
Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. In addition, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.