Designed for a broad range of long-distance broadcast, ENG and film miking applications, such as booming, dialogue, interview and table or podium use, the d:dicate™ 4018 Supercardioid Microphone offers superb flexibility through modular accessories.
d:dicate™ 4018A Supercardioid Microphone
The d:dicate™ 4018A Supercardioid Microphone is designed for a broad range of music recording and broadcast / ENG / film long-distance miking applications. It can be used for booming, dialogue, interview and table or spot-recording use.
A bit about supercardioids
A supercardioid microphone is similar to a cardioid – it is most sensitive to sound coming in at the front and is least sensitive at the back. Supercardioid mics tend to have a much narrower angle of sensitivity (and hypercardioids even narrower) – making them even more focused than a “normal” cardioid mic. The off-axis sound will normally be more or less colored and damped – and, due to the narrow angle of focus, the area of damped sound is increased significantly. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. In addition, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.